Nan Goldins Representation Of Gender And Sexuality

Nan Goldins Representation Of Gender And Sexuality In this essay I will be looking at how Nan Goldin photographs people and represents their sexuality and gender through her work as it has always been a heavy factor in her work. What does it say about the subject matter she is trying to represent? I will look at other photographers that represent sexuality and gender a lot in their work and compare how different photographers work in different ways. I will also look at how this work of hers has possibly influenced other photographers and their work. I will look at the background of Nan Goldin and her family upbringing to see if it has influenced the way she works and if her surroundings at the time of making her work gave her a strong need to want to represent this subculture she was emerged in. I would also like to give my opinion on if the representation she has given of these men and women seems accurate and if she has portrayed them in a certain way, what is she trying to say about these people? Other photographers I would like to look at in this essay include Larry Clark whos most common subject was the photography of youth and their engagement of underage sex and violence and were all part of a subculture, somewhat like the photography of Goldins prostitutes and drag queens. I will look at all of Goldins work and see how she has progressed through her work and if anything has changed since she started for example her view on sexuality and how people represent themselves to others. Books I will be looking at will include The Ballad of Sexual Dependency which is a visual diary of her life in New York. Il be you Mirror is another book I will be heavily focusing on during my research as it covered two decades of her life, this is a book in which some of her most influential work is gathered, therefore an obvious choice when looking at her photography. Her work has heavily touched on subjects filled with sexual gender identification such as drag queens and I will look at each project she has encountered and how she has chosen to deal with the transformation of the self and courage. Goldin looks heavily in her work at the external behaviour of people and their relationships and I would like to analyse this as it may be related to how she would like to deal with her own issues and if this representation is a reflection about how she feels about the same issues. Goldin photographs real life and records what she sees, she gives a straight forward document of sexuality- but can it sometimes be too much? She documents their personal space and joys and sorrows of contemporary life and looks at sexuality as an addiction. I will research how she has photographed the significance of the female figure and why she does so. Does Goldin pave a new way for photographers in how they represent sub cultures and women? Biography of Nan Goldin Nan Goldin was born in Washington DC in 1953 in an upper middle class Jewish family. Shortly after, she and her family moved to Boston, where Goldin spent a few unhappy years before moving away from her family. In 1965, when Goldin was 14 years old, her older sister, Barbara Goldin, committed suicide. extremely troubled by this event, Goldin sought after relievement in her friends and in a way created an alternate family. She soon decided that tradition family values and life were not for her, then Goldin moved in with a series of foster families, and soon enrolled in a school called Satya Community School. Here she met two friends- David Armstrong and Suzanne Fletcher. As the memory of her sister started to become disappear, Goldin started photograph to preserve the her memory. She photographed her associates so she would never misplace the memory of them, as had happened with her sister. Her photographs were her way of documenting their lives, and, in turn, her own. When she began photographing, Goldin started to experiment cross-dressing and drag; this early experimentation would shape Goldins lifelong fascination with the blurry line separating the gender and sexuality. Through Armstrong, Goldin was introduced to the drag subculture in Boston. There, she photographed drag queen beauty contests during the early 1970s and became friends with many transvestites. Her documentation of these people was reality as she seen it, showing them in a straightforward way, being part of their everyday lives. Goldin then moved to the Boston School of Fine Arts, and therefore changed her photographic style slightly. Before she began at the college she would mainly use black and white film, however within college started to experiment with colour and started to introduce flash. She gradually developed her own style of photography, with subtle flash and bright vibrant colours. When she graduated from college in 1978 she moved to New York City and began photographing American subcultures such as the gay scene in the late 70s and early 80s. This was a major life change for Goldin with a heavy exposure to drugs and abusive relationships. The Ballad of sexual dependency was created between 1979 and 1986 which documents a drug culture and relationships of which by this time were commonplace in Goldins circle of friends. Goldin wrote, I believe one should create from what one knows and speak about ones tribe . . .You can only speak with true understanding and empathy about what youve experienced. Most of the people she documented during this time were dead by the 1990s. In addition to this book she created two other books including Ill be your Mirror and All by Myself.   The main themes of her early work include gender and sexuality.   She documented everything from parties to her relationships like a personal diary for all to see. By 1988 Goldins lifestyle of drugs and alcohol started to take a toll on her life, and entered a clinic to deal with her problems. Throughout this time she experimented a lot with self portraiture and documented her progress in the clinic. Throughout this time in the clinic she was also struggling with some outside issues including having to deal with the death   of many of her close friends that she has photographed over the years. Most of them were dying of aids, one of the most important being Cookie Mueller, a friend since 1976. The Cookie Portfolio was a small document of her life over 15 portraits that Goldin created perhaps as a tribute to her friend. Goldin then decided to document many of her friends with AIDs that seem to be dramatically disappearing. Somewhat he same as what she had done when her memory of her sister started to disappear. In 1994, she and her friend David Armstrong created a book called  A Double Life. Composed of photographs taken by both Goldin and A rmstrong, the book displays their differing styles of photographing the same person.

Premier Furniture

Premier Furniture Company It was mid-Aprll. and Richard Zimmerman, credit analyst for the Premier Furniture Company, was completing his first round of credit reviews for 1984. Two of his accounts†Deslgners, Inc. of Pittsburgh, Pennsylvania, and Walcott Department Stores of Hartford, Connecticut†had moved well beyond the credit limits set by Premier. It was Zimmerman's Job to determine the appropriate corrective steps. After his third look at the customer file for Designers, Inc. Zimmerman was still undecided. He had evaluated the account as â€Å"satisfactory† In his annual review in early 1983, but his reservations at that time were not lessened by the performance in fiscal 1984. It was evident that the substantial sales to Designers in the last three months did not necessarily signal an Improved relationship. Zimmerman was also troubled by the most recent numbers of Walcott Department Stores. Walcott had been a reliable account since 1951 but had posted a large o perating loss in fiscal 1984.His review was further complicated by the tact that the owners had recently opened stores in Worcester and Springfield, Massachusetts. Although Walcott's future obviously depended on how the branch stores fared, Zimmerman had no reason to assume their success or failure. 4h*fi, Designers (ffL+Uee, , FM-x-r eve, It was obvious to Zimmerman that the Designers and Walcott accounts invited a raised eyebrow, but given Premier's credit policy the numbers came as no surprise. quality home furniture for distribution to dealer cooperatives, independent home furnishing retailers, and regional furniture chains.The company advertised its lines nationally and attempted to maintain intensive coverage of trading areas by istributing through stores strategically located with a particular marketing area. Beginning in 1975, however, Premier found that product quality and service no longer assured success in the broad range of outlets the company had cultivated. Credit ter ms and financing of dealers became a critical marketing tool, and in the words of credit manager Karl Freund, â€Å"Premier soon found itself backed into the position of supporting numerous customers in order to maintain adequate distribution for its products. Unfortunately, Premier's heavy financing of dealers coincided with a national credit squeeze and higher interest rates on borrowed money. tg ¦, Zimmerman was also aware that many of Premier's customers had waited out more than seven years of a relatively soft market only to suffer a noticeable decline in sales in the late summerand early fall of 1983. As in previous downturns, stores featuring lower-priced lines were hit first, followed by quality retailers at the end of the year.Although the decline in sales was not severe, the drop in volume and subsequent price cutting reduced the profit margins of some retailers enough to offset profits earned in the first half of 1983. As might be expected, the downturn in the market w as quickly passed on to manufacturers. Many of Premier's customers tightened their belts by reducing orders for new lines and reorders for established lines. They believed that the price cutting in the second half of 1983 had resulted in considerable overbuying by consumers, and they were therefore anticipating a downturn in sales.The dramatic drop in orders affected manufacturers across the country. Orders for shipment fell 10% from February to March, and then an additional 20% from March to April. E-fifi f&fllikh, lit, Alpha The Designers and Walcott files sat on his desk awaiting his decision, but Zimmerman was still mulling over the contradictions posed by the files. He knew, for instance, that Walcott enjoyed fairly steady sales throughout the year and that 50% were cash or charge sales. The remaining sales were installment purchases which called for 25% down and the balance in 6 monthly payments.Premier, on the other hand, supposedly sold on terms of 3% in 10 days, net in 60 d ays†and had established a $50,000 limit on Designers and a $75,000 limit on Walcott. In truth, Premier's terms had become negotiable. Zimmerman was also frustrated by the fact that Karl Freund expected to see a foot on the brake while the sales manager was pressuring him to ut both feet on the gas. Given his Job, Zimmerman believed that it was in the company's interest to know the difference between a good customer and a bad risk.But with the sales manager insisting that liberal financing was the only way to spark an upturn in orders, Zimmerman felt caught in an impossible position. The time had come to seek the advice of the company's credit manager. Five minutes after collecting the essential information from each file (see Exhibits 1 through 5), Zimmerman placed the folder in the hands of Karl Freund. f&RhF, 1511? ±0, , premier, â€Å"†fifi, Q, fi-nmew,?- ¦, fi-nmeilfr, A credit analyst for a furniture manufacturer is confronted with two customers who have exceed ed their credit limits.The financial performance of each has been weak, and one of the customers has a highly leveraged balance sheet. Industry conditions are weak; the manufacturer apparently has excess capacity; and the credit analyst is caught between the conflicting demands of the sales managers and the credit manager. The case provides an opportunity for ratio analysis. The Premier Furniture Company of Newfield, North Carolina, centers on manufacturing high-quality home furniture for distribution.By 1975, Premier found that product quality and service no longer assured success in the markets they were in; therefore, credit terms and financing of dealers became a critical marketing tool. Regrettably, Premier's weighty financing of dealers corresponded with a national credit squeeze and higher interest rates on borrowed money. In 1984, Richard Zimmerman, the credit analyst for the Premier Furniture Company, took over the task of assessing the financial health of Premier's custome rs. Two of their accounts, exceeded the credit limits previously set by Premier. Premier had to make a decision on Designers Inc. d Walcott†they needed to fgure out the difference between good customers and bad credit risk. premiefiwzb,

Anthem for Doomed Youth - Analysis - 1143 Words

Anthem for Doomed Youth - Analysis The very title that Wilfred Owen chose for his war poem, Anthem for Doomed Youth is an apt representation of what he wanted the poem to encapsulate and the emotions he wanted to evoke in the readers. The word anthem and doomed youth is a stark juxtaposition when placed in the same sentence. An anthem is supposed to be something revered, something that represents the glory of a country and is bursting with national pride. However, when placed right before the words doomed youth we get the impression that Owen is indirectly trying to question the glory and honour that most associate with war. Is it really right that we would strip youth of their lives, their dignity and their future on the†¦show more content†¦The second stanza speaks of how it so often slips our mind that war does not only affect the men who are in direct combat. The young women too, suffer greatly in silence. Though so removed from the grime and blood of the battlefield, one cannot imagine the excru ciating pain of having to part with their loved ones, with the knowledge that the holy glimmers of goodbyes might as well be goodbye forever. Every moment of the day, they agonize over the terrifying thought that their loved one has been shot or injured. There is no way of telling - and the guessing game is exhausting. There is no more joy or excitement in life as each slow dusk drags by, their only reason for existence condensed into a single purpose - receiving news from the battlefield. Often time, their agonizing wait ends in a heartbreaking death. This is signified from the line the drawing down of blinds . Owen s usage of a metaphor, where he likens the girls flowers to the tenderness of patient minds is to me a representation of how like flowers, the inner strength that these young women have while waiting for the men to return is so beautiful and inspiring. However, flowers are also delicate and vulnerable. It is terribly hard to be strong all the time, and these young girls struggle constantly with their fears and their nightmarish thoughts. TheShow MoreRelatedAnalysis of Anthem for Doomed Youth1382 Words   |  6 PagesAnalysis of â€Å"Anthem for Doomed Youth† Originally published in 1920, shortly after World War I, â€Å"Anthem for Doomed Youth† demonstrates the horror of the unjust deaths of young soldiers. â€Å"Anthem for Doomed Youth† is a poem about Owen’s distain towards the honourless way in which young soldiers pass on, and the impact their deaths have on the loved ones they leave behind. The following essay will show that in the anti-war poem, â€Å"Anthem for Doomed Youth†, Owen uses sensational descriptionRead MoreAnalysis Of The Poem Anthem For Doomed Youth Essay2140 Words   |  9 Pagesmost successful text is one which challenges us to re-asses out thinking. â€Å"Anthem for doomed youth† According to Google dictionary, an anthem is, â€Å"a rousing or uplifting song,† whereas this poem is more like a dismal song about mourning the deaths of those lost at war. Owen’s description of adolescent male soldiers being doomed augments his interpretation of young soldiers being extremely at risk within combat. ‘Doomed’ is a word that carries the effect and imagery of these young men being sentRead MoreEssay Analysis of Anthem for Doomed Youth1506 Words   |  7 Pageswhich men died in war. The title ‘Anthem for Doomed Youth’ , with anthems I see that they are mostly are more associated with love and passion , like with an anthem of a country which talks about how much they love their country. And for this poem title I find it very ironic. I think it is a way which Owen shows how he thought the war was very ridiculous. ‘Anthem’ is a song that is sung in churches by choirs or could mean a celebration. The word ‘Doomed’ it symbolises death and brings to mindRead MoreWilfred Owen Anthem for Doomed Youth Analysis1000 Words   |  4 PagesAnthem of the Doomed Youth by Wilfred Owen The poem I chose to study is Anthem of the doomed youth by Wilfred Owen. Wilfred Owen, the son of a railway worker, was born in Plas Wilmot, near Oswestry, on 18th March, 1893. Owens youthful illusion of the glory of fighting as a soldier was reflected in his words to his mother on his return to England shortly before volunteering for the army...I now do most intensely want to fight. In the summer of 1917 Owen was badly concussed atRead MoreAnalysis Of Wilfred Owens Anthem For Doomed Youth911 Words   |  4 Pageshumanity sealed in its first global conflict, Wilfred Owen reveals the plight of soldiers to ‘warn’ those who remain oblivious of the ‘pity of war’. The poet delivers critique on the lack of empathy from authoritative institutions in his 1917 ‘Anthem for Doomed Youth’, educating the audience on information which had previously been withheld in its time. ‘Dulce et Decorum est’ enlightens further by expounding on the physical and mental trauma of his ‘generation’, questioning age old paradigms on warfareRead MoreEssay about Analysis of Anthem For Doomed Youth by Wilfred Owen937 Words   |  4 PagesAnalysis of Anthem For Doomed Youth by Wilfred Owen The first poem that I am to analyse is Anthem for Doomed Youth, written by Wilfred Owen. This poem is a sonnet. It has fourteen lines. In this poem, the first and fourth lines rhyme, as do the second and third. The first stanza is mainly about the battlefield, whereas the second stanza is more about the feelings of friends and family back at home. This poem starts off at a quick pace, and then slows down throughout Read MoreWilfred Owens Anthem for Doomed Youth Analysis Essay777 Words   |  4 PagesWilfred Owens Anthem for a Doomed Youth is exactly that, an anthem ( a solemn song) to commemorate the innocent youth, whose lives were taken to soon by war. By using the word anthem, he calls to mind the glory and honor of a national anthem, however; he goes on to explain that there is no honor or glory in death, pairing the words doomed and youth together creates so much sorrow as well, it provides a woeful impression as it foretells of young people having no hope. Written in sonnet form, it isRead MoreAnalysis Of Owen s Poem Anthem For Doomed Youth 831 Words   |  4 PagesIn Owen’s poem, â€Å"Anthem for Doomed Youth†, the speaker meditates on both the brevity and value of life. From the very beginning of the poem, it is evident that Owen (the author and speaker) has a negative view of the war, believing tha t the political powers that are using the soldiers do not value them either as people or as soldiers, either when they are living or as they die. As he reflects on how little effort is put forth to honor the death of the soldiers with funeral rites, he also pondersRead MoreAnalysis Of Poem Anthem For Doomed Youth By Wilfred Owen And Trench Duty927 Words   |  4 PagesThroughout history, wars have been an important factor affecting many people’s lives. The two sonnets â€Å"Anthem for Doomed Youth† by Wilfred Owen and â€Å"Trench Duty† by Siegfried Sassoon are two tales inspired by their experiences fighting in WW1 and all the horrors that war made them experience. Both poets use different sonnet structures, yet convey quite similar messages. In addition, these poets develop powerful images and metaphors, but in subtly different ways. Sassoon and Owen use structure, imageryRead MoreAnalysis Of Wilfred Owen s Anthem For Doomed Youth And Dulce Et Decorum Est 1224 Words   |  5 Pagesor wonderfully exciting and the most eloquent poems can leave anybody rewinding over the story of the poem for a time afterwards. Wilfred Owen was a poet who became well renowned after World War I where he unfortunately died in battle. Anthem for Doomed Youth (Anthem) and Dulce Et Decorum Est (Dulce) by Wilfred Owen both portray various themes including horrors of war, the futility of war and the pity and sadness of war. War is full of horrendous acts that every side of war commits, even if it is for

Essay about Literary Comparison Flowers for Algernon vs...

Literary Comparison Essay Flowers for Algernon VS Awakenings Most of us feel that were â€Å"different† in one way or another at some point in our lives. Being different, however, is not always the â€Å"bad† thing that we sometimes imagine it to be. In fact, Charles Evans Hughes once said, â€Å"When we lose the right to be different, we lose the privilege to be free.† Literature often portrays differences as a good thing, too. In Flowers for Algernon, for example, vary from others, that person still has value and worth. Likewise, the movie Awakenings sends a similar message in the character of Leonard. Interestingly enough, even though the first story is science fiction and the second is based on real life events, Flowers for†¦show more content†¦In my mind I believe that Charlie and Leonard alike were both used in someway or another. Charlie who was used to make the Doctors become rich was misled into thinking that his friends actually cared about him. Leonards Doctor, Dr. Sayer, was thoughtful and wanted to help. Leonard believed that the doctors used him to also become rich. Dr. Sayer was not interested in the money, but he was interested in finding a cure for Encephalitis not fame and fortune. Even though they both thought that the Doctors were in to get them, they both agreed that they wanted the Doctors to learn from them. The theme of these stories in general is, in large, arrogance. This point being that we think we are above everyone else and we can make the same mistakes or we dont even make mistakes at all. Finishing, the messages of the stories, Charlie and Leonard, alike, both faced extreme difficulties in everyday tasks, but that doesnt mean that their lives didnt have meaning. They both had a short time without their diseases. The theme they and all of us learned that good things never last forever. Until we accept those things we cannot live our lives, even if that means living life where we cant walk or reading a book without remembering the last page you read. Charlie and Leonard, alike, both wanted to be, in some sense, normal. Another theme we can take from the overall theme of the book being learning and accepting